|3/13/2017 5:14:00 PM|
Milagro presents the Northwest Premier of Lydia
|After Ceci Flores is tragically hurt in an accident, her mother hires an undocumented maid, Lydia. Lydia’s immediate and seemingly miraculous bond with Ceci sets the entire family on a mysterious and shocking journey of discovery.|
|The when and where|
March 16 – April 8, 2017
Thursday – Saturday at 7:30 PM, Sundays at 2 PM
Thursday, March 16, 7:30 PM — Preview
Friday, March 17, 7:30 PM — Opening Night
Milagro Theatre, 525 SE Stark Street, Portland, OR, 97214
Adult tickets are $27 in Advance, $32 at the door.
Discount for students, seniors, veterans, groups 15+, and with the Oregon Trail card through the Arts for All program.
Senior tickets are $25 in Advance, $30 at the door.
Student/Veteran tickets are $20 in Advance, $25 at the door.
Tickets available at milagro.org or 503-236-7253.
Milagro Theatre presents the 2008 Henry Award winner for Outstanding New Play, “Lydia” March 16 through April 8. The play contains strong adult language and nudity. It is not for children.
Set in the 1970s on the Texas border separating the United States and Mexico, Lydia is the intense and lyrical story of a young girl, Ceci Flores, disabled by a tragic accident on the eve of her quinceañera, and the tension among her family members.
In order to return to work, Ceci’s mother hires an undocumented maid, Lydia. Lydia’s immediate and seemingly miraculous bond with Ceci sets the entire family on a mysterious and shocking journey of discovery. Lydia is an emotional portrait of Mexican immigrant family caught in a web of dark secrets.
Lydia was written by Octavio Solis and is directed by Kinan Valdez.
Octavio Solis is a playwright and director whose works Alicia’s Miracle, Se Llama Cristina, John Steinbeck’s The Pastures of Heaven, Ghosts of the River, Quixote, Lydia, June in a Box, Lethe, Marfa Lights, Gibraltar, The Ballad of Pancho and Lucy, The 7 Visions of Encarnación, Bethlehem, Dreamlandia, El Otro, Man of the Flesh, Prospect, El Paso Blue, Santos & Santos, and La Posada Mágica have been mounted at the California Shakespeare Theatre, Mark Taper Forum, Yale Repertory Theatre, the Oregon Shakespeare Festival, the Denver Center for the Performing Arts, the Dallas Theater Center, the Magic Theatre, Intersection for the Arts, South Coast Repertory Theatre, the San Diego Repertory Theatre, the San Jose Repertory Theatre, Shadowlight Productions, the Venture Theatre in Philadelphia, Latino Chicago Theatre Company, Boston Court and Kitchen Dog Theatre, the New York Summer Play Festival, Teatro Vista in Chicago, El Teatro Campesino, the Undermain Theatre in Dallas, Thick Description, Campo Santo, the Imua Theatre Company in New York, and Cornerstone Theatre. His collaborative works include Cloudlands, with Music by Adam Gwon, Burning Dreams, cowritten with Julie Hebert and Gina Leishman and Shiner, written with Erik Ehn. Solis has received an NEA 1995-97 Playwriting Fellowship, the Roger L. Stevens award from the Kennedy Center, the Will Glickman Playwright Award, a production grant from the Kennedy Center Fund for New American Plays, the 1998 TCG/NEA Theatre Artists in Residence Grant, the 1998 McKnight Fellowship grant from the Playwrights Center in Minneapolis, and the National Latino Playwriting Award for 2003. He is the recipient of the 2000-2001 National Theatre Artists Residency Grant from TCG and the Pew Charitable Trust, the United States Artists Fellowship for 2011 and the 2104 Pen Center USA Award for Drama. Solis is a Thornton Wilder Fellow for the MacDowell Colony, New Dramatists alum and member of the Dramatists Guild.
His new anthology, “The River Plays” has been published by NoPassPort Publishing. He is working on commissions for the Magic Theatre SF and Yale Repertory Theatre.
Kinan Valdez is a 20-year ensemble member of El Teatro Campesino (ETC). Born and reared in the collective milieu of the famed social justice theater company, Kinan currently serves as ETC’s Producing Artistic Director. His accomplishments as a leader of the 49 year-old company have been a three-fronted effort: Preserving ETC’s expansive theatrical traditions and methodologies for new generations; developing the “Teatro Lab” – an experimental new works laboratory; and building an extensive educational theater program that reaches the underserved and marginalized communities of rural central California.
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